2021年8月26日

抱歉,但是您的浏览器需要Javascript使用这个网站。如果你不确定如何激活它,请参考这个网站:https://www.enable-javascript.com/ 8月26日,2021年Okita秀一是为数不多的日本导演工作今天立即有一个可以识别的风格,尽管它的相机角度的问题不如他看待世界的方式。一脸坏通过观察而作的幽默贯穿他的工作,加上温暖但不动感情的人文主义。他的电影可能会标记为古怪的喜剧,但它们根植于人类的普遍问题,从面对你的恐惧失败(“樵夫和雨”)找到你在世界上的地位,然而小(“森艺术家的栖息地”)。和相反的黑暗的严重的日本电影,Okita的作品散发出一种温和乐观:他的角色是好人谁可能并不总是赢,但不去痛苦的失败。像许多人一样,他们得过且过。“一个夏天的故事”一直是Okita第一,如果formula-ridden, seishun eiga青年电影流派,它是他自己的,虽然他的故事是根据Retto日本田岛的2014日本漫画系列相同的标题(“Kodomo wa Wakatte Agenai”)。一个夏天的故事(Kodomo wa Wakatte Agenai)评级现在显示他的主人公,南城Sakuta (Moka Kamishiraishi),属于高中游泳队,沉迷于动漫系列叫做“水牛Koteko是神奇的泥水匠。”(是的,“泥水匠”——这可能是唯一的动画功能建筑材料作为字符。)她随和的继父(汉字Furutachi)也爱这个节目;他们甚至一起唱主题曲,她宽容的妈妈(徐怀钰Saito)试图控制她的喧闹的弟弟。 Your typical dysfunctional family they are not. Minami finds out that her classmate, a talented calligrapher named Shohei Moji (Kanata Hosoda), is also a fan of the show. The pair instantly form a bond and romance seems set to bloom when Minami decides to embark on a search for her biological father, who left when she was a small child but lingers in her mind as a mystery in need of solving. She enlists the help of Shohei’s transgender brother, Akihiro (Yudai Chiba), a smart and sympathetic, if unconventional, private investigator. The story belatedly kicks into gear when Minami, who has told her parents that she is at summer camp, finally tracks down her dad (Etsushi Toyokawa), the recently resigned leader of a religious cult. This being an Okita film, the father-daughter reunion does not result in recriminations about old wrongs — the go-to development in many a Japanese drama. Instead, Minami and her dad, now upfront about his inadequacies as a guru and a parent, bond in ways that feel right to their contrary natures and respective pasts. Playing Minami, Kamishiraishi checks none of the usual boxes for seishun eiga heroines. Instead of scowling like a teen rebel, she giggles uncontrollably at anything she finds odd, including her earnest swim team coach’s vocal tic (which the subtitles translate as “capeesh,” making him sound like a character in “The Sopranos”). A true original, Kamishiraishi lights up any scene she’s in. As her father, Toyokawa is charismatic and enigmatic in equal measure, if with an air of rueful loneliness that recalls the great Chishu Ryu at the end of Yasujiro Ozu’s 1949 masterpiece, “Late Spring.” Be prepared to shed a tear — and learn the lyrics to the “Magical Plasterer” song. In a time of both misinformation and too much information, quality journalism is more crucial than ever. By subscribing, you can help us get the story right.